Napoleon and The French Revolution, Questions and Answers

Part I: Essay No one can deny that Napoleon was a great leader, and can be considered one of the greatest in history. He accomplished many goals in his life, and completely changed the face of Europe in less than two decades. Napoleon would have never been able to accomplish these goals though, if the French Revolution had not taken place. Being born a foreigner, Napoleon was only able to rise to power, because of government reforms and his successful military service. In many ways, Napoleon owes his fortune to the Revolution, and exemplifies many of its values. As his rule went on though, Napoleon betrayed many gains of the Revolution. His ambition stretched beyond the limits of the new governments, and through greed and desire, eventually returned to many principles of the old regime. One of the major points of his betrayal comes from his appointment to emperor. This unsubtle transition goes against the main reason for revolution in France. If they are willing to go the extent of e xecuting the previous king, the people of France would probably not want an even stronger autocratic ruler. Even Napoleon’s coronation ceremony resembles the old monarchies they fought to overthrow. Another backward step that Napoleon took was his marriage to Maria-Louisa, the princess of Austria. This arrangement was political, and done to keep peace with Austria, solidifying them as an ally of his new empire. This marriage benefitted Napoleon in multiple ways. This includes peace with aShow MoreRelatedThe Ultimate Goal Of Napoleon I, Emperor Of The French Essay1297 Words   |  6 PagesHow have historians tried to evaluate the ultimate goal of Napoleon I, Emperor of the French? With such a variety of perspectives, there is no single theory that can fully answer the breadth of the question. Instead, kaleidoscopes of opinions that span centuries from Napoleon’s reign to contemporary research give us the best analysis of his ambitions. No matter the era, historianâ₠¬â„¢s opinions of Napoleon shift between admiring his achievements, in varying contexts of establishing order or reorganizingRead MoreRousseaus Impact On The French Revolution1636 Words   |  7 PagesEnlightenment philosophers rippled throughout the globe, however, they seemed to have the most interesting effect on France. Jean-Jacques Rousseau was a major contributor to Frances political and social structure post-French revolution. These ideas weren’t the only triggers for the French Revolution. A combination of strangling taxes, economic disparity, and an impotent ruler led to the development of an intense need for reform in France. â€Å"France spent an enormous amount of money during the American war whichRead MoreEssay about Early Modern Jewish History1399 Words   |  6 Pagesthat enabled him and made him the Father of the Jewish Enlightenment. Question 2 The French Revolution, which occurred during the years 1789-1799, was a period in history which attempted to gain advancements in the political and social spectrums. What occurred during these ten years would have a profound impact on the French history and the history of different countries worldwide.Throughout the years of the French Revolution, the Declaration of the Rights of Man and of the Citizen aimed to establishRead MoreBonaparte Betrayed the Revolution1638 Words   |  7 PagesBonaparte Betrayed the Revolution ‘Bonaparte betrayed the revolution.’ Do you agree with this statement? Justify your answer. Napoleon Bonaparte’s attitude towards the French Revolution is one that has often raised questions. That the revolution had an influence on Bonaparte’s regime cannot be denied – but to what extent? When one looks at France after Napoleon’s reign it is clear that he had brought much longed for order and stability. He had also established institutions that embodied theRead MoreNapoleon Bonaparte A Hero Or A Villain?1624 Words   |  7 PagesThere is no question in the fact that Napoleon Bonaparte was a significant character in France. However, there have been debates among historians for years around the central question: â€Å"Was Napoleon Bonaparte a hero or a villain?† The answer here relies on how one looks upon the situation. Was Napoleon Bonaparte a savior to the French, or was he a tyrant to the French? Although many historians’ answers do rely deeply onto perspective, their answers also lie within which stage of life Napoleon Bonaparte Read MoreThe Power Of The Great Powers Of Great Britain1650 Words   |  7 Pagesreplace the defunct Holy Roman Empire. Sensing that Napoleon was vulnerable, an Alliance of Russia, Prussia, Austria, and Great Britain formed, and were able to force Napoleon to capitulate in the Treaty of Fontainebleau in April 1814. In the previous decade, Napoleon conquered most of continental Europe, and order and pre-existing borders were interrupted. Napoleon was defeated for the first time in Russia in the winter of 1812. Feeling that Napoleon was vulnerable, an alliance of Russia, Prussia, AustriaRead MoreA Brief History of France858 Words   |  3 Pagesthe French revolution in 1798, France was ruled with several noble families and was involved with the hundred years’ war against England, Renaissance, reformation and seven years’ war along with Austria against Prussia and England. (A Brief History of France.II) About 10 years after the revolution in 1804 Pope Pius VII crowned Napoleon Bonaparte as emperor of the France. (Table 1) Although he waged several wars and occupied the most of Europe allied armies conquered Paris and exile Napoleon to theRead MoreEssay on Napoleon Bonaparte and the Catholic Church2177 Words   |  9 Pagesduring the French Revolution, leading to a schism, which d eeply devastated the Church’s economy. Pope Pius VII and Napoleon Bonaparte came into power as the French Revolution was ending. For different reasons they both saw the importance of restoring Roman Catholicism’s position in France. The Catholic Church’s initial support of Napoleon greatly affected both parties (O’Dwyer 12-14, 43, 49). This statement has led me to ask the following question: To what extent did the support of Napoleon affect theRead MoreHow Far Did Napoleon Maintain the Aims of the French Revolution Till 18151983 Words   |  8 Pagessome words that best describe the aims and principles of the French Revolution. Did Napoleon Bonaparte I, Emperor of France, hinder, maintain, or in fact ‘further’ the aims of the revolution?, this is a question in which many historians argue about and can come to no definitive answer. First of all, in an economic sense, Napoleon definitely followed some of the earlier revolutionary principles in his reform of the nation. Napoleon introduced limits on grain exports (due to poor harvests) inRead MoreThe Rise of Napoleon2810 Words   |  12 PagesUS Army Command and General Staff School Command and General Staff Officer Course (CGSOC) Common Core H100: Rise of the Western Way of War Parallel Block H104: Armies of the People and the Birth of Modern Operational Art Reading H104RA The Rise of Napoleon by Thomas M. Huber Most of what we think of as modern military organization emerged in a paroxysm of conflict that rocked western Europe for twenty-four years from 1792 to 1815: the Napoleonic Wars. Some of the features of modern warfare were already

Edgar Allan Poe s The Father Of The Detective Story

Have you ever thought about a world without the dark, brooding mystery books, television shows, or movies. Edgar Allan Poe, â€Å"The Father of the Detective Story† left a mark on our society for his mysterious works. Edgar Allan Poe lived a life of depression, since his mother died and his father left him, before the age of three. With his tortured mind Poe created several stories that our still popular today. He lived a life of financial struggles since he was a boy living with his godfather John Allan. Poe, at the age of 27, fell in love with his 13 year old cousin, Virginia Eliza Clemm Poe who later died from tuberculous. Edgar Allan Poe, impacted our society with his stories like â€Å"The Raven†. After the death of his wife, Virginia, Poe went on a downward spiral till he died of unknown causes on October 7, 1849. To this day people are still trying to solve the mystery of his death. Poe was nicknamed â€Å"The Father of the Detective Story since his writing talents were the start of the mystery genre. Still in the 21st century schools are still reading his poem and stories out of their literature books. So many people dedicated websites, statues, pets, and so much more, not the mention Mrs. Atkinson s really fantastic shirt. Poe was found on the streets, some say in the nude and others say in rural clothing. He was in a delusional state. Many people then and now have built up these conspiracies to surround his death and what really happened. For example, the cooping theory, himShow MoreRelatedThe Father Of The Detective Story1593 Words   |  7 Pagesâ€Å"The Father of the Detective Story†: How Edgar Allan Poe Developed and Influenced the Detective Fiction Genre Edgar Allan Poe has become a household name in the literary world. His unique writing style has earned him much-deserved respect and recognition. Poe s poetry and short story oeuvre follows a consistent, melancholy theme of death and darkness that has captured and haunted readers for years (Baym, et al. 683). Perhaps his most legendary contribution to literature is his creation of theRead MoreAnalysis Of Edgar Allan Poe s The Raven And The Fall Of The House Of Usher 896 Words   |  4 PagesEdgar Allan Poe is an extremely well known American writer and is famous for his horrific and mysterious works such as, â€Å"The Raven† and â€Å"The Fall of the House of Usher.† Poe was born in 1809 in Boston, Massachusetts in an era that seems to have many dark and ominous writers and pieces of literature originating from that time period. Poe is said to have launched the interest in many of the detective type stories that we read from modern day writers. â€Å"In the early 1800s, romanticism was the dominantRead MoreEdgar Allan Poes Impact on American Literature1379 Words   |  6 PagesEdgar Allan Poe is one of the most influential writers of the horror genre in American history. His horror stories have impacted numerous authors and their stories over the years. Various people have tried to copy his way of writing style, but they have failed to achieve the success he did. Even though Poe is no longer living, his impact on American literature can still be felt today. Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809. Even though Edgar Allan Poe did not growRead MoreEdgar Allan Poe s Stories And Poems1231 Words   |  5 Pages Edgar Allan Poe once said, â€Å"Words have no power to impress the mind without the exquisite horror of their reality.† A difficult childhood and the many deaths he experienced are reflected in Poe’s stories and poems. Edgar Allan Poe, a gothic horror author, led a controversial life which eventually led to his mysterious death. Edgar Allan Poe was born on January 19, 1809 in Boston, Massachusetts to David and Elizabeth Poe. Edgar had an older brother, named William, who was two years youngerRead MoreLiterary Critics Of Edgar Allan Poe1693 Words   |  7 PagesEdgar Allan Poe is credited to be one of the best writers, editors, and literary critics of all time. His poetry and short stories are what majority of people recognize him for. His long and intriguing stories about mystery and the macabre are just some examples of his classic writings. At first, Edgar Allan Poe was referred to as the inventor of the modern detective story and a specialist in the science fiction genre. It was not until later in his life that people began to acknowledge him as oneRead MoreAn American Legacy : Edgar Allan Poe1362 Words   |  6 PagesAmerican Legacy: Edgar Allan Poe As the United States became a flourishing nation in the 1800’s, American entertainment such as poetry and short stories began to unfold by up-and-coming writers. Among these artists of text, Edgar Allan Poe is without a doubt an incredibly prominent figure when discussing American literature. A celebrity after his critically acclaimed poem, â€Å"The Raven,† he was one of the earliest American authors to craft and perfect the short story. Furthermore, Poe is credited toRead MoreWho Is The Father Of Mystery?1702 Words   |  7 PagesWho is the father of mystery? When did mystery books become popular? Who wrote the story â€Å"Author of Legal Thrillers†, which printed 60 million copies and was translated into 31 different languages around the world? Edgar Allan Poe, Arthur Conan Doyle, and John Grisham all have very different childhoods, but they all have one thing in common and that is that they are all popular mystery writers. Family troubles, beliefs, and educa tion all influenced their writings. Mystery authors have evolved overRead MoreThe Romantic Age Of American Literature1725 Words   |  7 Pagesplace which included slavery and woman s rights. This age brought about American literature which was free from European influence and ties. The writers during the Romantic Age wrote mainly about the person, they included clear and concise descriptions of people and nature. Many writers like Poe wrote about supernatural events like the devil, evil, and horror. This brought on a whole new genre of scary, detective, and mystery stories. While Edgar Allan Poe wrote utterly twisted plots, as seen inRead MoreEdgar Allan Poe s Writing Style1942 Words   |  8 Pagesintelligence.†(Edgar Allan Poe) Edgar Allan Poe is a well-known author and poet from the 19th century. Poe has over sixty-nine published works, and many are still being found today. His writing style is very dark, twisted, and depressing, but leaves a lasting impression. Poe bas ed his writings off of his life which was a series of tragic events. Edgar Allan Poe’s work has inspired many movies to be made from his works and his works continue to inspire many authors today. Edgar Allen Poe is consideredRead MoreThe Raven, Annabel Lee, And The Fall Of The House Of The Usher1249 Words   |  5 Pages Edgar Allan Poe’s short stories: The Raven, Annabel Lee, and The fall of the house of the Usher, are just some of the thrilling tales that have left the reader feeling pure disturbia and macabre. However, the most ghostly mystery is the death of this profound poet. Therefore, Poe is my favorite author because of his tragic early life, his unusually marriage, and his mysterious death. Poe was born to traveling actors: Elizabeth Poe and David Poe Jr. in Boston on January 19, 1809, but within three

Compare Rosencrantz And Guilde Essay Example For Students

Compare Rosencrantz And Guilde Essay Compare and contrast the ways in which Rosencrantz and Guildenstern are Dead by Tom Stoppard and Waiting for Godot by Samuel Beckett teach important insights about the human condition. Inspired by Becketts literary style, particularly in Waiting for Godot, Stoppard wrote Rosencrantz and Guildenstern are Dead. As a result of this, many comparisons can be drawn between these two plays. Stoppards writing was also influenced by Shakespeares Hamlet. Rosencrantz and Guildenstern as minor characters exist within Shakespeares world providing Stoppard with his protagonists. However, the play is not an attempt to rewrite Waiting for Godot in a framework of Shakespeares drama. In studying these texts, the reader is provoked into analysing, comparing and contrasting them. In particular the characters in Rosencrantz and Guildenstern are Dead provide intriguing material to consider the human condition. The characters, their personality traits and responses to stimuli, as well as what directs and m otivates them, is worthy of discussion. Stoppard gives Rosencrantz and Guildenstern an existence outside Hamlet, although it is one of little significance and they idle away their time only having a purpose to their lives when the play rejoins the Hamlet plot, after they have been called by the Kings messenger: There was a messengerthats right. We were sent for.; Their lives end tragically due to this connection with Hamlet, predetermined by the title, but the role provided them with a purpose to their otherwise futile lives, making them bearable. Their deaths evoke sadness and sympathy leaving the reader grieving for them. In contrast to Stoppards play Waiting for Godot is much bleaker in the respect that Vladimir and Estragon seem to have no purpose or direction in their lives. Their only hope rests on the mysterious Godot who never comes, however they do remain alive at the end. This leads the reader to question which pair of characters are the most unfortunate. Rosencrantz and Guildensten may not have been saved from death but they have been saved from the futility of life which Vladimir and Estragon exclaim: We cant go on like this; yet ironically they are left to do so. In Waiting for Godot, we know little concerning the protagonists, indeed from their comments they appear to know little about themselves and seem bewildered and confused as to the extent of their existence. Their situation is obscure and Vladimir and Estragon spend the day (representative of their lives) waiting for the mysterious Godot, interacting with each other with quick and short speech. Although Becketts characters seem to e xpect so little from life, Vivian Mercier observes that they are never the less frustrated. They expect so little from life, and yet their minimal expectations are frustrated.; (1) We laugh at the characters because the scenes are humorous, yet it is human unhappiness that we are laughing at. Beckett creates this humour in such a way that there is no discernible purpose behind it. Rosencrantz and Guildenstern are two Elizabethans not easily told apart who play games to idle away the time, relying on others for amusement and impetus. They resemble Vladimir and Estragon in their interdependent relationship with one another, however characteristically they are very different. Rosencrantz and Guildenstern are incompetent and unfortunate. They continually appear to be bemused and lost, unaware of what they are doing and why they are doing it, yet still feel omnipotent and able to escape. Martin Esslin comments on their situation; Becketts characters are no antique heroes and they are mos tly unaware of the depth of their predicament.; (2)At one point Guildenstern says We are entitled to some directionI would have thought;. Guildenstern begins to accept this feeling that his life is out of his control and says We move idly towards eternity, without possibility of reprieve or hope of explanation; Well know better next time;. Rosencrantz and Guildensterns deaths shows how effectively Stoppard created these characters by the audiences emotional reaction to their vulnerability and predicament. Rosencrantz and Guildenstern are unable to get their own names correct and similarly other characters in the play confuse them, highlighting their insignificance: My name is Guildenstern, and this is Rosencrantz. Im sorry his names Guildenstern and Im Rosencrantz;. They obviously cannot register their own identities or value. This strange lack of identity and individuality is odd as they are actually quite different. .u674d777f0d41d88ea12d85f69a8044f5 , .u674d777f0d41d88ea12d85f69a8044f5 .postImageUrl , .u674d777f0d41d88ea12d85f69a8044f5 .centered-text-area { min-height: 80px; position: relative; } .u674d777f0d41d88ea12d85f69a8044f5 , .u674d777f0d41d88ea12d85f69a8044f5:hover , .u674d777f0d41d88ea12d85f69a8044f5:visited , .u674d777f0d41d88ea12d85f69a8044f5:active { border:0!important; } .u674d777f0d41d88ea12d85f69a8044f5 .clearfix:after { content: ""; display: table; clear: both; } .u674d777f0d41d88ea12d85f69a8044f5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u674d777f0d41d88ea12d85f69a8044f5:active , .u674d777f0d41d88ea12d85f69a8044f5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u674d777f0d41d88ea12d85f69a8044f5 .centered-text-area { width: 100%; position: relative ; } .u674d777f0d41d88ea12d85f69a8044f5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u674d777f0d41d88ea12d85f69a8044f5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u674d777f0d41d88ea12d85f69a8044f5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u674d777f0d41d88ea12d85f69a8044f5:hover .ctaButton { background-color: #34495E!important; } .u674d777f0d41d88ea12d85f69a8044f5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u674d777f0d41d88ea12d85f69a8044f5 .u674d777f0d41d88ea12d85f69a8044f5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u674d777f0d41d88ea12d85f69a8044f5:after { content: ""; display: block; clear: both; } READ: The Black Cat: Deranged Narrator EssayHuman nature is such that we believe we are the centre of our world and yet we are merely insignificant in someone elses. Stoppard exemplifies this in Rosencrantz and Guildenstern are Dead by the unique connection the play has with Shakespeares Hamlet on which it is based. Stoppard integrates the two plays by drawing out two minor characters from Hamlet turning them into the protagonists, bringing them to the forefront of the stage in his play. He creates an identity for them separate to that in Hamlet. Likewise the protagonists in Hamlet are reduced to minor characters in Stoppards production. Stoppard is known for grafting much of hi s best works onto plays that are already well established, such as his play On the Razzle (1981) which is an adaptation of an Austrian play Einen Jux will er sich machen by Johann Nestroy. The first reference to Hamlet shows Rosencrantz and Guildernsterns role in Shakespeares play. They are sent for by Claudius although they dont know for what purpose. Claudius greets them The need we have to use you did provoke our hasty sending.;Rosencrantz We were sent for;Guildenstern Yes;Rosencrantz Thats why were here; Despite their confusion and hesitation, they seem to regain their identity and purpose when they re-enter the Hamlet plot. Hamlet greets them My excellent good friends! How dost thou Guildenstern?;The other story they become a part of is that of the Player and the Tragedians. From their speeches it becomes clear how important it is for them to have an audience. The Player illustrates their dependence on others, because good performers are nothing without an audience and in this quest for an audience they look on every exit being an entrance somewhere else.;Central to both plays is the theme of futile waiting and nothing happening which the audience can relate to the feelings of frustration and ineffectiveness. In Waiting for Godot, Vladimir and Estragon live their lives in paralysed anticipation in case Godot comes but they may not even recognise him if he does. This shows the resilience of humans to retain hope, often until the end. Their whole lives are resting on Godot which is never defined. Whether it is supposed to be God or death or something else is unclear. Every evening they wait for this Godot who they have probably never met; Hes a kind of acquaintance;, We hardly know him;. They seek to pass the time, representative of human fear that the end will come but also afraid that it will not. Stoppard suggests the outcome to this will be as a result of fate or chance and tries to show how chance can be a key part of human life. The possibility of cha nce is discussed in the first few pages where the two protagonists are tossing coins and the outcome is left to fate and probability. All the possible meanings of the word chance are shown in the following quotes illustrating its importance. Player It was chance, then?; (coincidental)Guildenstern You found us.; Player Oh yes.; Guildenstern You were looking?; (deliberate)Player Oh no;Guildenstern Chance then; (Luck)Player Or fate.; (Predestination, fixed destiny idea)Guildenstern Yours or ours?; (subtle irony hinting at the ending of the play)Player It could hardly be one without the other;Guildenstern Fate then;Player Oh yes. We have no control.; The Player readily accepts destiny and the unknown future, unlike Rosencrantz and Guildenstern who like to feel that they do have control in their lives. In Waiting for Godot the subject of chance and probability is also considered: Estragon I dont know, theres an even chance, or nearly.;Vladimir Well, whatll we do?;Estragon Well, dont lets do anything, its safer.;

The Novel Frankenstein Essay Example For Students

The Novel Frankenstein Essay The simple answer is yes. Without Chapter Five, the novel probably wouldnt have been published. The publishers would no doubt have objected. I mean to say, you cant just publish a novel with gaps, and if Chapter Five wasnt there then of course there would be a gap between Chapters 4 and 6. You cant just flow from the former into the latter even numbers simply dont work next to each other! Its just one of those things. Chapter Five is an essential part of the structure of the novel. And not only that. Chapter Five is more than significant. Chapter Five is key. Its like this: We will write a custom essay on The Novel Frankenstein specifically for you for only $16.38 $13.9/page Order now Many moons ago, in 1818, the young wife of romantic poet Percy Bysshe Shelley published her first novel. Officially Gothic Horror and attributed to a certain Mr. Anonymous, Frankenstein was an instant success. Copies sold like hot cakes, the ideas portrayed in the novel became national idiom and, once she revealed herself as the true authoress, Mary Shelley was placed right up there with Jane Austen as instrumental in establishing womens right to write. But how on earth did such a sweet and loveable girl succeed not only in capturing the heart of a leading poet but also in chilling the flesh of every member of the British reading public, turning their bone-marrow to water and at the same time scaring them out of their wits? And yes, she was a formidable romancer. While only eighteen she had charmed Percy Shelley so much that he eloped with her, causing his current wife to commit suicide. Or maybe it was just Shelleys habits after all I mean, Marys half-sister came along on the honeymoon as well and by all accounts enjoyed it very much. What fun. So, how did she? Succeed at both, I mean. Many, many people persist, persevere and pledge that Frankenstein was written as a timely warning and much needed advice to pre-Victorian society. They are wrong. In fact, they are making mountains out of molehills, talking through their hats and generally crediting Mary Shelley with more tar than the most particular ship would need to save it from spoiling. For Frankenstein was no idle wandering of a socially-conscious imagination: no embellished essay upon the dangers of science. No. Frankenstein was the direct brainchild of inspiration, but not naturally inspired inspiration. Opium inspired inspiration. Coleridge, Shelley, Byron and all that gang were great lads for drugs. Their works poetry and prose originated mostly during the height of their opium-fuelled orgies. With the risk of giving offence, I suggest that they were not literately gifted personalities; they just used literately gifted drugs? Certainly some of their most famous creations (Don Juan, Rime of the Ancient Mariner) are pretty clearly out of this world. The idea for Frankenstein germinated from a little competition run between friends Lord Byron, the Shelleys (Percy and Mary) and Dr. John Polidori. Bored with life in 19th Century Switzerland they decided, in the nicest way possible, to try to scare the socks off each other. Traditional ghost stories went by the board and, when not asleep, eating, smoking or drinking, they forced their addled brains to devise monstrosities calculated to put terror into the heart of any man. And Mary succeeded. Contrary and keen horticulturalist she may be, but when it came to pure, revolting, horrific and terrible ghastliness she rose notches and more above the crowd. Published two years later, substantially revised in 1831 and now the basis for many films, plays and novels Frankenstein, from the fermenting imagination of a teenage drug addict, has become a somewhat international phenomena. .uc790fa996f16c1448a591b7c56ee817d , .uc790fa996f16c1448a591b7c56ee817d .postImageUrl , .uc790fa996f16c1448a591b7c56ee817d .centered-text-area { min-height: 80px; position: relative; } .uc790fa996f16c1448a591b7c56ee817d , .uc790fa996f16c1448a591b7c56ee817d:hover , .uc790fa996f16c1448a591b7c56ee817d:visited , .uc790fa996f16c1448a591b7c56ee817d:active { border:0!important; } .uc790fa996f16c1448a591b7c56ee817d .clearfix:after { content: ""; display: table; clear: both; } .uc790fa996f16c1448a591b7c56ee817d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc790fa996f16c1448a591b7c56ee817d:active , .uc790fa996f16c1448a591b7c56ee817d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc790fa996f16c1448a591b7c56ee817d .centered-text-area { width: 100%; position: relative ; } .uc790fa996f16c1448a591b7c56ee817d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc790fa996f16c1448a591b7c56ee817d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc790fa996f16c1448a591b7c56ee817d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc790fa996f16c1448a591b7c56ee817d:hover .ctaButton { background-color: #34495E!important; } .uc790fa996f16c1448a591b7c56ee817d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc790fa996f16c1448a591b7c56ee817d .uc790fa996f16c1448a591b7c56ee817d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc790fa996f16c1448a591b7c56ee817d:after { content: ""; display: block; clear: both; } READ: Explore the ways Dickens uses places and atmosphere in 'Great Expectations' EssayGothic it is called and gothic it is, but from its start until about Chapter Three the casually perusing reader would be easily excused for imagining Frankenstein to be a charming little adventure story. Talk of slow starts! The use of Captain Walton as a primary narrator was a stroke of (dare I say it?) genius. Basically, Captain Walton is in his own words a workman to execute with perseverance and labour who has set his heart on going to unexplored regions, to the land of mist and snow Thus he is similar to Victor Frankenstein, the novels hero, who has similarly set his life towards an exh austive goal: life. Mary Shelley basically uses Walton as a shirt press. She places Frankensteins narration in the middle of the novel as the shirt and then pops Waltons on top of it to smooth out any wrinkles and make the text more wearable. But so much more could have been made of all the protagonists similarities, the differences between science and nature and ultimately preparation for the inevitable clash of friendly and gothic atmospheres. But that was not to be. Instead Mrs. Shelley chose to preface the action with such a wealth of elaborated boredom that absolutely any plot action creates considerable relief and the high drama she could have created at the start of Chapter Five is lost to the world. What a pity. In all honesty, it really is quite disappointing. In Chapter Five she has the most wonderful plot matter (if you like that sort of thing) and yet it is, in my opinion, rather sloppily handled. For Chapter Five is the time for the pinnacle of action and the moment of truth; time for the heights of excitement and moment of revelation Time for the monster. Key to the text and instrumental in creating the book itself, the creation of the monster in Chapter Five is the nub, crux and pivotal point of the novel; this is where a tale of love and adventure becomes a yarn of tragedy, terror and monstrosities. This is where Dr. Frankenstein creates life.